| Artist | |
|---|---|
| Date | 1895 |
| Object type | painting |
| Medium, technique | oil on canvas |
| Dimensions | 162.5 × 145.5 cm |
| Inventory number | 124.B |
| Collection | Department of Art after 1800 |
| On view | This artwork isn't on view. |
Stuck was one of the founders of the Secession in Munich, 1892. In 1895, the year in which this picture was painted, he was appointed a professor at the Academy of Fine Arts, where Kandinsky and Klee both became his pupils. He was the main exponent of the enigmatic imaginary world of symbolism, a model to follow for the experimenters of painting in late 19th century Munich. The lethal embrace of the femme fatale, the sensously attractive, demonic woman is a theme which recurs frequently in his works. Each stylistic device – the composition crammed in a tight, narrow space, the rude colours (which have unfortunately darkened with the passage of time), and the bulky modelling – intensifies the brutal eroticism of the picture.
Ferenc Tóth
