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Lady with Daisies Camille Corot

Artist

Camille Corot Paris, 1796 – Paris, 1875

Culture French
Date ca. 1870
Object type painting
Medium, technique oil on canvas
Dimensions

78 x 58 cm (30 11/16 x 22 13/16 in.)

Inventory number 501.B
Collection Department of Art after 1800
On view This artwork is not on display

Camille Corot is known primarily for his harmonious and delicate landscapes. However, in the last two decades of his life he also painted many figural works. He often portrayed his female models dressed in Italian or Oriental clothing in life-size, half-length images. These paintings constitute a certain transition between portraits examining the sitter’s individual features, personality, and state of mind, and head studies depicting a more idealised, general character.
His young beautiful models are most often shown in a natural or studio environment, but the brownish, dark background of the Budapest work remains indefinite. The hand movement of the round-faced model adjusting her hair, and her questioning look turning to the viewer provide the sensation of a moment seized. The unfinished, sketch-like painting gives insight into the artist’s working method: Corot first sketched the dark background and then rendered the lighter tones. Visible modifications show that Corot was uncertain about positioning the arms. The work’s title was given after the flowers decorating the woman’s hair.

References

Kovács, Éva, “Les tableaux de Corot en Hongrie/Corot képei Magyarországon”, Bulletin du Musée Hongrois des Beaux-Arts/Szépművészeti Múzeum Közleményei 11 (1957), p. 85-91, 136-138.

Genthon, István, Modern francia festmények: Szépművészeti Múzeum Budapest, Remekművek magyarországi gyűjteményekből/Meisterwerke aus ungarischen Sammlungen/Art treasures in Hungarian collections/Chefs d’oeuvre dans les collections hongroises, Corvina, Budapest, 1972, p. 8.

Illyés, Mária, Verő, Mária (ed.), XIX. századi francia művek, A Szépművészeti Múzeum gyűjteményei/The Collections of the Museum of Fine Arts, Budapest 4, Szépművészeti Múzeum, Budapest, 2001, p. 81-83.

This record is subject to revision due to ongoing research.

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